
Pierre-Laurent Aimard piano
Haffner Wind Ensemble
Quatuor Diotima
A free-thinking musical fantasy created by new Festival Artistic Director Pierre-Laurent Aimard.
Music of different eras and styles are combined in a succession of bold and imaginative sequences. Well-known chamber works create new and unexpected connections whilst modern masterpieces find resonance in music of the past.
The four-part programme contrasts exhilarating moto perpetuo movements from Beethoven and Bartók string quartets with serene, contemplative chamber music by Brahms and Messiaen. To conclude, a startling ‘scherzo’ and a Hommage to the captivating music of György Ligeti, a composer whose eclectic styles and imaginative experiments in sound seem tailor-made for an evening such as this.
Playing on aspects of unity and conflict, space and silence, and including some of the music closest to Aimard’s heart, this is a chamber music recital like no other.
Collage [kuh-lazh] noun. a technique of composing a work of art by pasting on a single surface various materials not normally associated with one other.
Evening out: best available seat for the concert, food and a soft drink from the Oyster Bar with a reserved table, tea or coffee in the interval, £32.50.
Snape Maltings Concert Hall
7.30pm (ends approx 9.20pm)
Tickets £26, £22, £18, £14, £10 (under 27s half price)
Coach £4 A (5.30pm), B (6.30pm)
Widely acclaimed both as a key figure in the new music world and a uniquely significant musical voice in repertoire of the past, Pierre-Laurent Aimard enjoys an internationally celebrated career which transcends traditional boundaries.
In August 2007 he signed an exclusive recording contract with Deutsche Grammophon Gesellschaft - his first disc under this agreement, Bach: Art of Fugue, was released in January 2008. His most recent recording of solo piano pieces - 'Hommage à Messiaen' - was released in October 2008.
Pierre-Laurent Aimard appears throughout the Aldeburgh Festival: with the BBC Symphony Orchestra (19 June), in conversation with composer Elliott Carter (20 June), with the Mahler Chamber Orchestra (25 June and 27 June), and in Fractures of the Familiar (27 June).