Coming up
Sunday 13 June 2010
Aldeburgh Festival
La Nuova Musica
La Nuova Musica
David Bates director
Gabrieli Omnes gentes, Plaudite Manibus a 16 (Sacrae Symphoniae I 1597)
Schütz Stehe auf, meine Freundin SWV 499
Vierdanck Capriccio 17
Schütz excerpts from Kleine Geistliche Konzerte: O Jesu nomen dulce; Bone Jesu verbum Patris; Fili Absalom; Ich bin jung gewesen;
Schütz excerpts from Sinfoniae Sacrae III: O jesu suss, wer dein gedenkt SWV 406; Saul, Saul, was verfolgst du mich SWV 415; Hütet euch SWV 413; Sei gegrüsset Maria SWV 415; Komm, Heiliger Geist SWV 417; Nun danket alle Gott SWV 417
Schütz Ist Nicht Ephraim mein Teuer Sohn SWV 40 (Psalmen Davids)
Schütz Meine Seele erhebt den Herren SWV 344 (Sinfoniae Sacrae II)
Schütz Herr, nun lässest du deinen Diener (Musikalische Exequien)
Gabrieli Canzon VIII à 8
Schütz’s sacred output is magnificent in sheer volume and invention. His work in Italy culminates in his Sinfoniae Sacrae III of 1650, in which his mastery of instrumental writing, his attention to word painting and seeming obsession with sonority and texture reaches unsurpassed heights.
It is this work that forms the spine of a first Aldeburgh Festival appearance for the brilliant young consort La Nuova Musica. They contrast these massive works with some of Schütz’s most intimate and tender motets from Kleine Geistliche Konzerte along with the greatest instrumental and polychoral music from his Venetian music-master, Giovanni Gabrieli.
Sponsored by
Blythburgh Church
3pm (ends approx 5.05pm)
Tickets £18, £15, £9 (under 27s half price)
Coach £7 A (2pm)
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SPRING 2012 DIGITAL BROCHURE
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BOX OFFICE
Snape Maltings Concert Hall Visitor Centre: Mon-Sat 10am-4pm and two hours prior to concerts
Aldeburgh High Street: Mon-Sat 10am-4pm
Tel. 01728 687110
boxoffice@aldeburgh.co.uk
EXHIBITIONS
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La Nuova Musica
La Nuova Musica is steadily gaining a reputation amongst the critics and public for offering insightful, entertaining and historically informed performances.
They offer historically informed performances that shed new light on standard repertoire, and bring neglected gems to the fore.
‘[They] offer intriguing insights into the authentic period sound’ The Independent