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The Jerwood Opera Writing Programme at Aldeburgh Music is designed for composers, writers and directors who have little or no experience of writing or creating opera, and who want to widen their horizons and equip themselves to create contemporary work combining music, theatre and text. Artists can be at any stage of their career. Aldeburgh Music, with its unique, inspiring environment and its growing programme of professional development for musicians and composers, has an unparalleled history of creating new opera.
2014-15 Jerwood Opera Writing Foundation Course participants announced
Aldeburgh Music and the Jerwood Charitable Foundation are delighted to announce the participants for the Jerwood Opera Writing Foundation Course 2014 – 2015.
In March 2014, Aldeburgh Music invited applications for the next Jerwood Opera Writing Foundation Course from composers, writers and directors who have little or no experience of creating opera and who want to widen their horizons and equip themselves to create contemporary work combining music, theatre and text.
The course will take place at Aldeburgh Music on the Suffolk coast and will be led by composer David Sawer and theatre and opera director and designer Stewart Laing.
From over 100 applications submitted, the following artists have been selected to take part:
Josh Armstrong (director)
Finn Beames (director/writer)
Santa Bušs (composer)
Pamela Carter (playwright)
Leyli Daryoush (writer)
Petter Ekman (composer)
Samantha Fernando (composer)
Nic Green (director/performer/artist)
Max Hoehn (writer/director)
Edmund Hunt (composer)
Jesse Jones (composer)
Sarah Lewis (composer)
Lliam Paterson (composer)
Naomi Pinnock (composer)
Richard Scott (writer/poet)
Daniel Solon (playwright)
Andrew Thomas (composer)
Shiori Usui (composer)
JL (Jennifer) Williams (poet/playwright)
The selected artists will travel to Aldeburgh for three residential courses, which will take place in November 2014, March 2015 and September 2015.
The Jerwood Opera Writing Programme was launched in 2007 followed by a second installment in 2010/11. Forty participants made up of composers, writers, and directors have been given a grounding in writing new opera through a mixture of practical workshops, contributions from teachers including Giorgio Battistelli, Harrison Birtwistle, Alison Chitty, Lavinia Greenlaw, Stephen Plaice, Stephen Langridge, David Sawer and Jonathan Dove amongst others.
Following on from this, Jerwood Opera Writing Fellowships were offered, giving a unique opportunity for composers and their collaborators to receive tailor-made support for writing a new opera. Five Fellowships were awarded in 2009 and a further four Fellowships in 2012, giving support to composers and their collaborators during the creation of a new work.
Q. Are there interviews involved?
A. We may telephone you, or arrange to meet you face to face if appropriate, to ask you for more information.
Q. Who is eligible to apply?
A. The Foundation is designed for composers, writers and directors who have little or no experience of writing and creating opera, but who would like to explore and develop their skills in this field. You can be at any stage in your career. We welcome applications from citizens of all nations and countries worldwide.
Q. Can I apply as part of an existing composer/librettist team?
A. No. One vital consideration of the course is that of collaboration, and as such we will be pairing each participant up with a variety of partners. However, do apply individually and state that you have an existing working relationship with each other.
Q. I don’t know if I can be available for all three of the residential weeks. Is there flexibility over the dates?
A. It is essential that you are available to attend all three of the residential weeks in Aldeburgh. However, there is currently a little flexibility within the dates, as the periods listed for each workshop are longer than one week. If you think you may be unable to attend on any of the dates listed, before applying please contact Joanna Seifert at Aldeburgh Music by email: email@example.com
Q. You mention assistance with travel costs. Who is eligible and for how much?
A. We aim to provide travel bursaries for as many successful applicants as possible, particularly those travelling from outside the UK. These will be calculated on an individual basis, but could be as much as 100% of your costs.
Q. What else will be covered financially?
A. All participants will be provided with accommodation and one meal daily while you are with us. All participants will also receive 100% bursaries for tuition.
Q. What happens in the workshops?
A. The workshops are a mixture of practical writing, composing and staging exercises and consideration of the theoretical underpinnings of opera as an art form.
Q. Will artists be provided for the workshops?
A. Singers, actors and instrumentalists will be engaged for each of the workshop weeks for practical demonstrations and to realize the work that is created.
'The Jerwood Scheme has been fantastic for us, perhaps most particularly for providing us with the space, support and guidance to avoid some of the common mistakes made by first-time writers of opera. We've benefited from advice from mentors, who've been stimulating, challenging and enthusiastic. We've also benefited from the relaxed and inspiring environment of Aldeburgh itself. A great privilege for artists who are passionate about opera and want to produce something ambitious.' – Melanie Challenger
‘Every moment of those precious rehearsal hours was instructive. There is no substitute for actually writing and rehearsing an opera.’ – Marcy Kahan
‘It was a remarkable experience and I think every participant came to realise how unique, exciting and special the Jerwood Opera Writing Programme is. I will definitely write opera in the future.’ – Jack Underwood
Foundation participant, Aaron Holloway-Nahum, shares his thoughts of the first, second and third weeks in these fascinating blog posts.