
Between January 2010 and July 2011 twenty participants of the Jerwood Opera Writing Foundation – composers, writers and directors – all took part in three week-long workshops.
Over the course of the Foundation, through a mixture of practical workshops and contributions from teachers including Harrison Birtwistle, Stephen Langridge, Stephen Plaice, David Sawer, Lavinia Greenlaw, Jonathan Dove and Orlando Gough amongst others, they were given a grounding in writing new opera.
Building on this, in 2012 four Fellowships will be offered to provide bespoke support to composers and writers and their collaborators who want to develop a particular opera idea for commission and performance. Fellowships will be open to anyone including graduates of the Opera Foundation and to composers with some (but not a lot) of experience of opera.
Fellowships are intended to give support during the development of an opera project. Fellowships will provide a collaborative, supportive environment, as well as financial and practical support and expertise e.g. workshops and mentoring.
We’re looking for emerging opera writers who are excited about the artistic possibilities of the genre. We want to encourage artists who want to stretch their own practice, and who will contribute to the view that opera is a vibrant and relevant art-form in the twenty-first century.
An advisory panel will select a maximum of four projects to be awarded a Fellowship.
Proposed works on a chamber scale will have more chance of selection because, with resources available, we can offer more constructive support.
A mentor may be assigned to each Fellowship. Travel expenses will be provided (and accommodation if required) for the creative team to come together, as well as meet with their mentor throughout the fellowship period.
There will be a communal workshop for all Fellows given by leading practitioners, where the participants will contribute material which will form the basis for the exploration of form, technique and ideas. It may include libretto readings and run-throughs of scenes with piano. This get together and workshop will take place over a week in November 2012 at Aldeburgh.
With dramatic landscapes, soaring skies and a rich musical history, Aldeburgh is a haven for creativity, a place where artists from around the world have found inspiration and reached their full potential since the days of Benjamin Britten. An Aldeburgh Residency will provide the opportunity for Fellows to spend time on the Suffolk Coast, providing space to work, accommodation, travel expenses and a per diem to cover living expenses. It may be possible to provide further resources for Residencies, which will be tailored to suit the individual needs of each Fellowship.
Two workshops at Aldeburgh will be offered for each Fellowship, the second of which will take place towards the end of the Fellowship period when a first draft of the entire project should be complete. The final workshop will include a play-through of substantial sections of the work with singers, instrumentalists and conductor.
To allow for the fact that artists work at different speeds, we expect the Fellowship to last between twelve and eighteen months and achieve the following landmarks very approximately as follows:
Although there is unlikely to be uniformity in the needs of each project, at eighteen months it will be clear whether a project is ready for production, or needs further development/revision time at Aldeburgh or elsewhere.
A network of producers will be encouraged who are interested in presenting these works.
All participants will be asked to ensure that Aldeburgh has an option to present any work within a two-year period, and that Aldeburgh and Jerwood will be appropriately credited if a work has a future life in any other venue or with another producer.
For further details of how to apply and to download an application form, please use the links on our website http://www.aldeburgh.co.uk/jerwood
If you have any questions regarding the Fellowships, please contact Chelsea Lawrence, Opera Administrator at Aldeburgh Music by email, clawrence@aldeburgh.co.uk, or telephone 01728 687 154.
Chief Executive, Jonathan Reekie introduces the programme and foundation participant, Sasha Siem.
‘Every moment of those precious rehearsal hours was instructive. There is no substitute for actually writing and rehearsing an opera.’ – Marcy Kahan
‘It was a remarkable experience and I think every participant came to realise how unique, exciting and special the Jerwood Opera Writing Programme is. I will definitely write opera in the future.’ – Jack Underwood
Foundation participant, Aaron Holloway-Nahum, shares his thoughts of the first, second and third weeks in these fascinating blog posts.